
Monday, September 28, 2009
Thursday, September 24, 2009
Saturday, September 19, 2009
Sequence Notes:
There are at least 3 relations in any architectural sequence:
1.) Internal Relation - method of work
- Transformational sequence is described as a device or procedure
2.) External Relations - juxtaposition of actual spaces
- Spatial sequence is constant throughout history
3.) External relations - programming (occurences or events)
- Programmatic sequence is described with social and symbolic connotations
- Reciprocity: sequences of events and sequences of spaces can become totally interdependent and fully condition each other's existence
- Conflict: sequences of events and spaces occasionally clash and contradict each other
- Spatial sequences are independent of what happens in them
- SEM: Space, Event, Movement. - Breaks the linearity of the elementary sequence
- Frame: The moments of the sequence. Frames are both the framing device - conforming, regular, solid - and the framed material - questioning, distorting, and displacing.
- All transformational devices (repitition, distortion, etc.) can apply equally and independently to spaces, events, or movements.
There are at least 3 relations in any architectural sequence:
1.) Internal Relation - method of work
- Transformational sequence is described as a device or procedure
2.) External Relations - juxtaposition of actual spaces
- Spatial sequence is constant throughout history
3.) External relations - programming (occurences or events)
- Programmatic sequence is described with social and symbolic connotations
- One understood way of drawing architecturally is with many layers of trace paper laid down that revolve around a basic theme or parti
- Transformational sequence relies on devices (compression, rotation, etc.)
- Sequence emphasizes a planned path that has continuous movement
- Adding events to spacial sequence is a form of motivation
-Program: A descriptive notice, issued beforehand, of any formal series of proceedings, in the order of performance - hence the items themselves collectively, the performance as a whole
- Reciprocity: sequences of events and sequences of spaces can become totally interdependent and fully condition each other's existence
- Conflict: sequences of events and spaces occasionally clash and contradict each other
- Spatial sequences are independent of what happens in them
- SEM: Space, Event, Movement. - Breaks the linearity of the elementary sequence
- Frame: The moments of the sequence. Frames are both the framing device - conforming, regular, solid - and the framed material - questioning, distorting, and displacing.
- All transformational devices (repitition, distortion, etc.) can apply equally and independently to spaces, events, or movements.
Monday, August 31, 2009
TRG_Garden_Catalog01.doc
Taylor Griffin
Villa Marlia
M1/Masses:
A – Vegetation and stone
M2/Mass-Less Conditions, pointless points:
A – No direction
S1/Horizontal Surface, surfaces of and on the earth:
A – Tall shrubs carved and trimmed to define space.
- Arches are cut out in some for shape
B – Trimmed shorter shrubs to accent space
C – Water (ponds)
S2/Vertical Surfaces, surfaces standing on the earth:
A – Large stone structure with sculptures beside pond
E1/Vertical Elements, objects standing on the earth:
A – Several sculptures of individuals, as well as a grand stone arch and stone pots
E2/Path Elements, vectors on the earth:
A – Pathway leading around the pond below
Villa Marlia
M1/Masses:
A – Vegetation and stone
M2/Mass-Less Conditions, pointless points:
A – No direction
S1/Horizontal Surface, surfaces of and on the earth:
A – Tall shrubs carved and trimmed to define space.
- Arches are cut out in some for shape
B – Trimmed shorter shrubs to accent space
C – Water (ponds)
S2/Vertical Surfaces, surfaces standing on the earth:
A – Large stone structure with sculptures beside pond
E1/Vertical Elements, objects standing on the earth:
A – Several sculptures of individuals, as well as a grand stone arch and stone pots
E2/Path Elements, vectors on the earth:
A – Pathway leading around the pond below
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